Skip to main content
On Wired, of interesting to weblogging:



Site Barks About Deep Link



"Deep links" point to specific content within a site, allowing readers to bypass the site's front page. Instead of linking to a specific article within The Dallas Morning News's site, Belo wants Adelman to only link to the site's main page.
The short version is that an issue that was supposedly settled a year or two ago has come back to life. The Dallas Morning News is asserting that barkingdog.org can only link to the paper's website "front page," and not to specific articles within the website. They claim that to do so is a potential violation of copyright.



Obviously this can have a serious impact on blogs, since a lot of them (such as here) quote from and link to articles all the time. You, gentle reader, would have to find your own way through a site's maze to an article that I might refer to, if The Dallas News has its way.



I'm still mystified how this would violate copyright. Such links direct people to the site. There is no theft, just--in a manner of speaking--an index to a specific article or item. The real lose is ad revenue, of course, since a lot of the complaining sites generate hit numbers off their front page. So, jumping to mid-site might not get counted as a hit, and thus there's no proof of readership with which to support ad rates. Something Belo, owner of The Dallas News, acknowledges with...



Belo says that those links ... more importantly, "allows the viewer to avoid the advertising, etc., on the homepage (which places our client in a bad position with respect to its advertisers, etc.)."
Well, bummer. Maybe they need a new accounting scheme? Or just avoid "permanent" links, so that a link that works one day for a story doesn't work the next. Or just flat out block access to archives. Etc. Seems there are other answers than saying--in essence--"How dare you link to my site without my permission!"

Comments

Popular posts from this blog

Have I mentioned I saw Monsters vs. Aliens?

It’s possible that Pixar is becoming a blight on the world of animation. Yes, they do some really great work ( The Incredibles , Ratatouille ), but they’ve also done some clunkers ( Cars , Wall-E ). Their greatest sin, though, is that they apparently radiate a variation of the Steve Jobs Reality Distortion Field, so that any other animated film – especially if done with CG – is automatically judged inferior. There is some justification to this, but you don’t see every live action film being compared to, say, the films of Ingmar Bergman (well, except by brooding people wearing dark glasses sitting in dim coffee shops smoking clove cigarettes discussing cinema, damn you ). In the traditional film world, it’s accepted that different artists turn out different products. In the animated world, everyone is supposed to match or surpass Pixar, or so it seems. Needless to say, that’s just a crock. Monsters vs Aliens is to your typical Pixar production as Spielberg is to Scorsese. And I h...

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...