Skip to main content
Daniel Henninger on "how Spider-Man, Starbucks, and McDonald's beat the beatniks":



OpinionJournal - Wonder Land



... The sense grows that one is everywhere being confronted, manipulated and pushed by someone's marketing campaign. Yet despite the torrent, no backlash has emerged like the beatniks of the '50s or the hippies of the '60s and '70s. We have the anti-global demonstrators, but they're obviously idiots. Where's the outrage?



It's nowhere, because the fact is that "Spider-Man" (the ultimate misfit) is really good. So is Sam Adams beer and Starbucks coffee, Callaway golf clubs, Pepsi, Prada, Krispy Kreme, Harry Potter, Barnes & Noble, Walgreens, Wal-Mart, the Discovery Channel, Levis, LensCrafters, Absolut, ESPN, Dominos and Diana Krall.



The mass market in America, the median of quality, has risen, not fallen. We may all be drinking from the same coffee cup and spending weekends together watching the same computerized movie graphics, but, as the saying goes, it's all good. The fears of corporatized conformity were overblown. East Germany was conformity. This is commercial anarchy born of competition.
While he makes the point, I'm still in mourning over the current state of The Arts (books, movies, painting...whatever). It all seems...ugh. I'll be seeing "Spider-Man" this weekend and expect to enjoy it. I'll buy the next Tom Clancey pot-boiler, though I think his best was his first (saved only by stars of brilliance within his latter works), etc., but when I watch "Casablanca" (for the umpteenth time) I see a certain magic that movies today lack. Nothing I've read in science fiction books of recent years matches the magic of "Stranger in a Strange Land." On and on, etc., etc., etc.



Of course, Henniger makes the accurate and valid point that I can always watch the older movies, read past books, and such. Which makes all the difference. Excuse me now, I've got to go brew a mocha with my Starbuck's expresso machine.

Comments

Popular posts from this blog

Have I mentioned I saw Monsters vs. Aliens?

It’s possible that Pixar is becoming a blight on the world of animation. Yes, they do some really great work ( The Incredibles , Ratatouille ), but they’ve also done some clunkers ( Cars , Wall-E ). Their greatest sin, though, is that they apparently radiate a variation of the Steve Jobs Reality Distortion Field, so that any other animated film – especially if done with CG – is automatically judged inferior. There is some justification to this, but you don’t see every live action film being compared to, say, the films of Ingmar Bergman (well, except by brooding people wearing dark glasses sitting in dim coffee shops smoking clove cigarettes discussing cinema, damn you ). In the traditional film world, it’s accepted that different artists turn out different products. In the animated world, everyone is supposed to match or surpass Pixar, or so it seems. Needless to say, that’s just a crock. Monsters vs Aliens is to your typical Pixar production as Spielberg is to Scorsese. And I h...

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...