Skip to main content

"It is worth the effort to do all we can to stem the tide."





Declain McCullagh writes Pirate this, go to jail, and notes that, "Sen. Joseph Biden has become one of the newest field marshals in Congress' intellectual property wars." This is the same topic Glenn Reynolds was on a tear about.



Biden's report about the issue is now available. I'm still perusing the executive summary, but already it uses familiar and inflammatory rhetoric.



At the bottom of page iii is the grand old stand-by: "Billions of dollars are being stolen, hundreds of thousands of jobs lost." I remember that been trotted out during the grand debate over software piracy, and thus was used to justify the "need" for copy protection features. Yet, Microsoft grew by leaps and bounds, as did most of the complainers. Indeed, those that perished did so under the mighty sword of MS, or another competitor. Arguments that pirated software equalled lost sales were irrelevant; competition killed 'em.



The same here. The companies raising the largest stink also, coincidentally, want to control all content all the time. Most especially, they want to control their existing means of control and distribution. Joe Independant sees computers, the Internet, and technology in general as a way of self-publishing on a wide scale. The major media moguls (M-cubed?) see that as a threat to their very existence.



In the executive summary, Biden trots out the usual claim that a feature length movie may now be downloaded via the Internet in under fifteen minutes. At a hearing he said that every episode of "Seinfield" is available for downloading via the Internet.



So what?



As I recall, "Harry Potter" shattered sales records for DVD's and video tapes, yet was "freely" available via the Internet well before copies went on sale. Worse, many copies of the DVD weren't even copy-protected; you could spin off all the tape copies you wanted! Yet, again, sales didn't seem to suffer.



Control, it's all about -- and will always be about -- control.

Comments

Popular posts from this blog

Have I mentioned I saw Monsters vs. Aliens?

It’s possible that Pixar is becoming a blight on the world of animation. Yes, they do some really great work ( The Incredibles , Ratatouille ), but they’ve also done some clunkers ( Cars , Wall-E ). Their greatest sin, though, is that they apparently radiate a variation of the Steve Jobs Reality Distortion Field, so that any other animated film – especially if done with CG – is automatically judged inferior. There is some justification to this, but you don’t see every live action film being compared to, say, the films of Ingmar Bergman (well, except by brooding people wearing dark glasses sitting in dim coffee shops smoking clove cigarettes discussing cinema, damn you ). In the traditional film world, it’s accepted that different artists turn out different products. In the animated world, everyone is supposed to match or surpass Pixar, or so it seems. Needless to say, that’s just a crock. Monsters vs Aliens is to your typical Pixar production as Spielberg is to Scorsese. And I h...

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...