Skip to main content

"It is worth the effort to do all we can to stem the tide."





Declain McCullagh writes Pirate this, go to jail, and notes that, "Sen. Joseph Biden has become one of the newest field marshals in Congress' intellectual property wars." This is the same topic Glenn Reynolds was on a tear about.



Biden's report about the issue is now available. I'm still perusing the executive summary, but already it uses familiar and inflammatory rhetoric.



At the bottom of page iii is the grand old stand-by: "Billions of dollars are being stolen, hundreds of thousands of jobs lost." I remember that been trotted out during the grand debate over software piracy, and thus was used to justify the "need" for copy protection features. Yet, Microsoft grew by leaps and bounds, as did most of the complainers. Indeed, those that perished did so under the mighty sword of MS, or another competitor. Arguments that pirated software equalled lost sales were irrelevant; competition killed 'em.



The same here. The companies raising the largest stink also, coincidentally, want to control all content all the time. Most especially, they want to control their existing means of control and distribution. Joe Independant sees computers, the Internet, and technology in general as a way of self-publishing on a wide scale. The major media moguls (M-cubed?) see that as a threat to their very existence.



In the executive summary, Biden trots out the usual claim that a feature length movie may now be downloaded via the Internet in under fifteen minutes. At a hearing he said that every episode of "Seinfield" is available for downloading via the Internet.



So what?



As I recall, "Harry Potter" shattered sales records for DVD's and video tapes, yet was "freely" available via the Internet well before copies went on sale. Worse, many copies of the DVD weren't even copy-protected; you could spin off all the tape copies you wanted! Yet, again, sales didn't seem to suffer.



Control, it's all about -- and will always be about -- control.

Comments

Popular posts from this blog

Ant-Man and the Wasp: Quantumania

Wow, it’s been over a year. What a way to get back to this blog because… Are the films of the MCU getting worse? It’s a serious question because the latest that I’ve seen, Thor: Love and Thunder and Ant-Man and the Wasp: Quantumania , are strong arguments that the answer is “yes.” Summary: Ant-Man & Ant-Family get sucked into the quantum realm, where skullduggery is afoot. A load of crap ensues. I’m an Ant-Man fan. I loved the first film despite its flaws. It would have been wonderful to see what Edgar Wright may have wrought. It was clear, though, that replacement director Peyton Reed kept some of Wright’s ideas alive. The result was one of the MCU’s most intimate films, a straight-forward tale of a Scott Lang (Paul Rudd) desperate to remain in his daughter’s life while being “gifted” the life of a superhero. Ant-Man and the Wasp sorta stayed that course, but naturally, because this is the modern MCU, we had to have a female superhero take over, the titular Wasp (Hope van Dyne,

John Wick: Chapter 4

No sense in playing coy, this is a great film. I’ve seen it twice and while I don’t quite love it in the way I love the first, original John Wick , it’s my #2. It’s a little overlong, has some wasted space and time, has one absolutely pointless and useless character, and generally ignores the realities of firefights, falling, getting shot, hit, etc. All that notwithstanding, it’s a great action flick, has a genuine emotional core, and is well worth your time if you’re into that sort of thing. Like I am. Summary: John Wick (Keanu Reeves), last seen saying he was fed up with the High Table, goes to war to obtain his freedom. Some of the most incredible action scenes ever filmed ensue, culminating in a very satisfactory finale and a devastating post-credit scene. The first Wick film was a surprise hit. It was a simple, straight-forward tale of vengeance told in a simple, straight-forward manner. Where it stood out was its devotion to human stunt work, on exploiting long camera shots that

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered.