Skip to main content

Defending old empires





Steven Levy writes in Newweek, courtesy MSNBC.com: Labels to Net Radio: Die Now.



...In the Webcast world, however, it’s possible for Jim and Wanda Atkinson to run one of the more popular sites--and one day, they hope, a profitable ad-supported business--by playing the tunes of, say, Dashboard Confessional. Possible, that is, until Oct. 20.



That’s the day the bill comes due for a government-imposed performance fee brought about by pressure from the recording industry. The fees, retroactive to 1998, “would put us out of business along with 90 percent of the industry,” says Jim Atkinson. It would be the day Web music dies--and a classic instance of an Old Economy industry leveraging its power to kill a promising alternative.
Gotta love it. Just as Microsoft seeks to raise barriers to competition, record labels proclaim that for our good, webcasters have to pay exorbinant fees in order to play songs over the Internet, fees that conventional radio does not have to pay.



It's all about control, and since much of the Internet is the antithesis of control, you get licensing fees, connect fees, restrictions, etc. Our Government at work, all for Our Good. Or so they say.

Comments

Post a Comment

Popular posts from this blog

Ant-Man and the Wasp: Quantumania

Wow, it’s been over a year. What a way to get back to this blog because… Are the films of the MCU getting worse? It’s a serious question because the latest that I’ve seen, Thor: Love and Thunder and Ant-Man and the Wasp: Quantumania , are strong arguments that the answer is “yes.” Summary: Ant-Man & Ant-Family get sucked into the quantum realm, where skullduggery is afoot. A load of crap ensues. I’m an Ant-Man fan. I loved the first film despite its flaws. It would have been wonderful to see what Edgar Wright may have wrought. It was clear, though, that replacement director Peyton Reed kept some of Wright’s ideas alive. The result was one of the MCU’s most intimate films, a straight-forward tale of a Scott Lang (Paul Rudd) desperate to remain in his daughter’s life while being “gifted” the life of a superhero. Ant-Man and the Wasp sorta stayed that course, but naturally, because this is the modern MCU, we had to have a female superhero take over, the titular Wasp (Hope van Dyne,
Post a Comment
Read more

John Wick: Chapter 4

No sense in playing coy, this is a great film. I’ve seen it twice and while I don’t quite love it in the way I love the first, original John Wick , it’s my #2. It’s a little overlong, has some wasted space and time, has one absolutely pointless and useless character, and generally ignores the realities of firefights, falling, getting shot, hit, etc. All that notwithstanding, it’s a great action flick, has a genuine emotional core, and is well worth your time if you’re into that sort of thing. Like I am. Summary: John Wick (Keanu Reeves), last seen saying he was fed up with the High Table, goes to war to obtain his freedom. Some of the most incredible action scenes ever filmed ensue, culminating in a very satisfactory finale and a devastating post-credit scene. The first Wick film was a surprise hit. It was a simple, straight-forward tale of vengeance told in a simple, straight-forward manner. Where it stood out was its devotion to human stunt work, on exploiting long camera shots that
Post a Comment
Read more

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered.
Post a Comment
Read more