Skip to main content

Sick puppies





A mother’s blessing to kill



GAZA CITY, June 25 -- Mariam Farahat interrupted the somber greetings offered by a visitor. "I don’t want condolences, I want congratulations," she said. "I encouraged my son to sacrifice himself. It is a victory."



She was speaking of her firstborn, Mohammed, 19, who was killed in March during a one-man raid on an Israeli settlement in the southern Gaza Strip. Armed with an assault rifle and grenades, Mohammed killed five students at a military school for religious Jews and wounded 23 other settlers at Gush Katif before he was gunned down.



...



Farahat said Mohammed informed her beforehand that he was preparing an attack on a settlement. He disappeared for a while, but on the eve of the assault, he came to the house for lunch. Farahat fixed him kebab and cucumber salad. Mohammed told her he had inspected and photographed his target, and was ready to act. He said he dreamed of Paradise, where virgins are promised the martyr, she recalled.



"I said, 'Don't think twice. Achieve your goals.' ..."
There is no reason here, no logic. No morals, no ethics, no sense of right and wrong. It's all just, "Let's kill the bastards!" and if you die, you become much loved and revered. Hey, you even get to rape virgin slaves in the afterlife. What could be better?



I feel that David Brooks says it best in his Atlantic commentary, The Culture of Martyrdom:



Suicide bombing is the crack cocaine of warfare. It doesn't just inflict death and terror on its victims; it intoxicates the people who sponsor it. It unleashes the deepest and most addictive human passions--the thirst for vengeance, the desire for religious purity, the longing for earthly glory and eternal salvation. Suicide bombing isn't just a tactic in a larger war; it overwhelms the political goals it is meant to serve. It creates its own logic and transforms the culture of those who employ it. This is what has happened in the Arab-Israeli dispute.
The sad horror here is that someone thinks it's great to die for a cause as long as they take out a lot of their enemy. And here's a mother embracing that, and setting such a wonderful example for her children.

Comments

Popular posts from this blog

John Wick: Chapter 4

No sense in playing coy, this is a great film. I’ve seen it twice and while I don’t quite love it in the way I love the first, original John Wick , it’s my #2. It’s a little overlong, has some wasted space and time, has one absolutely pointless and useless character, and generally ignores the realities of firefights, falling, getting shot, hit, etc. All that notwithstanding, it’s a great action flick, has a genuine emotional core, and is well worth your time if you’re into that sort of thing. Like I am. Summary: John Wick (Keanu Reeves), last seen saying he was fed up with the High Table, goes to war to obtain his freedom. Some of the most incredible action scenes ever filmed ensue, culminating in a very satisfactory finale and a devastating post-credit scene. The first Wick film was a surprise hit. It was a simple, straight-forward tale of vengeance told in a simple, straight-forward manner. Where it stood out was its devotion to human stunt work, on exploiting long camera shots that ...

Not the Hero We Deserve, But the Hero We Need

The Dark Knight is the best film I’ve seen in years. Not just the best “superhero” film, but the best film of any type. It’s not perfect, not quite a masterpiece, but it’s flaws are, to me, tiny and overwhelmed by the time the film ends. While relatively bloodless, it is consistently brutal, not just in what it depicts but in the themes that drive it. TDK is a film for adults, please leave the kids at home. Let’s deal with those “flaws” first, the largest being the character Rachel Dawes . In Batman Begins , I blamed Katie Holmes . Her acting was weak, to say the least, which is regrettable in that who she is and what she says and does are important to the film. Critics agreed and either for that or other reasons, Katie was replaced by Maggie Gyllenhaal , who is a better actress. Yet here she’s weak, real weak. Maybe it’s the character, not the actress, which is frustrating because Rachel is a pivotal character. The film,...

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...