Skip to main content

The heart of the matter





Hollywood vs. the Internet



Excellent piece of Mike Godwin, who distills the discussion over the DMCA and Hollings's "bill in progress" as:



One way to understand the conflict between the Content Faction and the Tech Faction is to look at how they describe their customers. For the content industries, they’re "consumers." By contrast, the information technology companies talk about "users."



If you see people as consumers, you control access to what you offer, and you do everything you can to prevent theft, for the same reason supermarkets have cameras by the door and bookstores have electronic theft detectors. Allowing people to take stuff for free is inconsistent with your business model.



But if you see people as users, you want to give them more features and power at cheaper prices. The impulse to empower users was at the heart of the microcomputer revolution: Steve Jobs and Steve Wozniak wanted to put computing power into ordinary people’s hands, and that’s why they founded Apple Computer. If this is your approach -- enabling people to do new things -- it’s hard to adjust to the idea of building in limitations.



...



The Tech Faction believes people should be able to do whatever they want with their digital tools, except to the extent that copyrighted works are walled off by DRM. The Content Faction believes the digital world isn’t safe unless every tool also functions as a copyright policeman.



At the heart of this argument are two questions: whether computer users can continue to enjoy the capabilities computers have had since their invention, and whether the content companies can survive in a world where users have those capabilities. What’s been missing from the debate so far has been the users themselves, although some public interest groups are gearing up to tackle the issue. Users may well take the approach I would take: If computers and software start shipping in a hamstrung form, mandated by government, I’ll quit buying new equipment. Why trade in last year’s feature-rich laptop for a new one that, while faster, has fewer capabilities?
Amen to that.

Comments

Post a Comment

Popular posts from this blog

I (Briefly) Try a Mac

 I Bought a Mac. My first computer was an Atari 800, fully loaded with 48k of RAM. And I mean the original, beige model, not its low-slung, fancy successor. My friend went for an Apple IIe, which cost a relative fortune. Eventually, I’d step up to an Atari 1040ST, while he’d get a IIgs. And even more eventually, we both ended up with IBM PC compatibles. MSDOS was my friend, Unix an ally. It was with great reluctance that I transition from a command-line interface (CLI) to a Graphic User Interface (GUI), always on a PC platform and never a Mac. I never bought into the hype and never experienced all the horrid things that allegedly befell anyone using a PC. For me, they just worked. Yet here I am, these many decades later, typing this on a brand-new MacBook Air M4. How things change... Initially, there was little regret but a mounting list of frustrations. Adjusting to the keyboard isn’t too hard, it’s just a matter of experimentation. Learning how to scale the display wasn’t awful, ...
Post a Comment
Read more

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...
1 comment
Read more

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....
Post a Comment
Read more