Skip to main content

The heart of the matter





Hollywood vs. the Internet



Excellent piece of Mike Godwin, who distills the discussion over the DMCA and Hollings's "bill in progress" as:



One way to understand the conflict between the Content Faction and the Tech Faction is to look at how they describe their customers. For the content industries, they’re "consumers." By contrast, the information technology companies talk about "users."



If you see people as consumers, you control access to what you offer, and you do everything you can to prevent theft, for the same reason supermarkets have cameras by the door and bookstores have electronic theft detectors. Allowing people to take stuff for free is inconsistent with your business model.



But if you see people as users, you want to give them more features and power at cheaper prices. The impulse to empower users was at the heart of the microcomputer revolution: Steve Jobs and Steve Wozniak wanted to put computing power into ordinary people’s hands, and that’s why they founded Apple Computer. If this is your approach -- enabling people to do new things -- it’s hard to adjust to the idea of building in limitations.



...



The Tech Faction believes people should be able to do whatever they want with their digital tools, except to the extent that copyrighted works are walled off by DRM. The Content Faction believes the digital world isn’t safe unless every tool also functions as a copyright policeman.



At the heart of this argument are two questions: whether computer users can continue to enjoy the capabilities computers have had since their invention, and whether the content companies can survive in a world where users have those capabilities. What’s been missing from the debate so far has been the users themselves, although some public interest groups are gearing up to tackle the issue. Users may well take the approach I would take: If computers and software start shipping in a hamstrung form, mandated by government, I’ll quit buying new equipment. Why trade in last year’s feature-rich laptop for a new one that, while faster, has fewer capabilities?
Amen to that.

Comments

Popular posts from this blog

John Wick: Chapter 4

No sense in playing coy, this is a great film. I’ve seen it twice and while I don’t quite love it in the way I love the first, original John Wick , it’s my #2. It’s a little overlong, has some wasted space and time, has one absolutely pointless and useless character, and generally ignores the realities of firefights, falling, getting shot, hit, etc. All that notwithstanding, it’s a great action flick, has a genuine emotional core, and is well worth your time if you’re into that sort of thing. Like I am. Summary: John Wick (Keanu Reeves), last seen saying he was fed up with the High Table, goes to war to obtain his freedom. Some of the most incredible action scenes ever filmed ensue, culminating in a very satisfactory finale and a devastating post-credit scene. The first Wick film was a surprise hit. It was a simple, straight-forward tale of vengeance told in a simple, straight-forward manner. Where it stood out was its devotion to human stunt work, on exploiting long camera shots that ...

DVD: The Descent

While waiting for the fourth disk of season 4 of House to arrive, I watched The Descent . This movie has been out on DVD for a while, so why bring it up now? Because I think I might become a fan of its writer-director, Neil Marshall . His latest is Doomsday , recently released on DVD, and while it’s sort of a mess, it’s a mess in that oh-fun-what-the-heck-let’s-shoot-a-Bentley-through-a-bus sort of way. The Descent is a different sort of animal. Prepare for spoilers. Since this film has been out for a while, I’m going to feel free to reveal. The setup is simple: Six friends go spelunking, complications ensue. Basic complications involve Sarah and Juno. Sarah is an emotional wreck following the rather horrible and tragic deaths of her husband and daughter (this trip is seen as therapy , oh my). Juno is a reckless thrill-seeker who leads an unknowing Sarah and friends into a cave no one has – publicly, at least – ever explored. All goes horribly...

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...