Skip to main content

Free at last, free at last?

DRM-free, that is. April 7 is the official date when “all” of the music offered through iTunes is supposed to be free of Digital Rights Management (DRM). As with so much with Apple, this is both accurate and incomplete.

Certainly every song for sale from this date forth is DRM-free. What tech writers, reviewers, critics, and consumers are discovering, however, is that iTunes library has shrunk. There are tunes that are simply no longer available. So if you downloaded a DRM-protected file, there’s a possibility that you won’t be able to upgrade that tune to DRM-free; it’s simply not offered any more.

And I’m wondering how Apple’s variable pricing is going to work. I’m also wondering how critics who complained about Microsoft’s tiered pricing scheme will react. Is it okay now that Apple is doing it? Amazon has had variable pricing from the get-go, but I’m sure someone somewhere complained about that, too.

What’s interesting is that you can easily shop for cheap music at Amazon. The same can’t be said for iTunes. Ars Technica reported it needed Apple’s help to find a couple of albums offering songs at the new 69-cents per track costing. If a tech-savvy writer can’t find cheap music, what chance does the average user have?

No doubt it will improve. This is only day one, after all. In the long-term, though, I wonder how this will work out for Apple. Ars Technica also demoed that some music is now more expensive on iTunes relative to Amazon. Yes, it takes a wee bit more to get the music from Amazon, but you’re saving 30-cents a track. I think the extra click(s) are worth it.

The iTunes/iPod eco-system remains formidable, but it was formerly invulnerable due to DRM. DRM is now history, which makes that eco-system vulnerable. The consumer now has access to at least three major sources of music on-line: iTunes, Amazon, and eMusic. There’s also Rhapsody (where I found, of all things, the out-of-print soundtrack to Hell and High Water; amazing) and the Zune Marketplace (which is 90% DRM-free, and should be completely DRM-free Real Soon Now). Beyond these you can find a staggering variety of specialty shops (Deutshe Grammaphon comes to mind).

In the end, it’s all good. I might even re-install iTunes so I can go shopping if/when I want. I’d prefer everyone to adopt something like the Amazon web-based system, so I don’t have to install all this software, but hey, it’s great to have the options.

Comments

Popular posts from this blog

Ant-Man and the Wasp: Quantumania

Wow, it’s been over a year. What a way to get back to this blog because… Are the films of the MCU getting worse? It’s a serious question because the latest that I’ve seen, Thor: Love and Thunder and Ant-Man and the Wasp: Quantumania , are strong arguments that the answer is “yes.” Summary: Ant-Man & Ant-Family get sucked into the quantum realm, where skullduggery is afoot. A load of crap ensues. I’m an Ant-Man fan. I loved the first film despite its flaws. It would have been wonderful to see what Edgar Wright may have wrought. It was clear, though, that replacement director Peyton Reed kept some of Wright’s ideas alive. The result was one of the MCU’s most intimate films, a straight-forward tale of a Scott Lang (Paul Rudd) desperate to remain in his daughter’s life while being “gifted” the life of a superhero. Ant-Man and the Wasp sorta stayed that course, but naturally, because this is the modern MCU, we had to have a female superhero take over, the titular Wasp (Hope van Dyne,

John Wick: Chapter 4

No sense in playing coy, this is a great film. I’ve seen it twice and while I don’t quite love it in the way I love the first, original John Wick , it’s my #2. It’s a little overlong, has some wasted space and time, has one absolutely pointless and useless character, and generally ignores the realities of firefights, falling, getting shot, hit, etc. All that notwithstanding, it’s a great action flick, has a genuine emotional core, and is well worth your time if you’re into that sort of thing. Like I am. Summary: John Wick (Keanu Reeves), last seen saying he was fed up with the High Table, goes to war to obtain his freedom. Some of the most incredible action scenes ever filmed ensue, culminating in a very satisfactory finale and a devastating post-credit scene. The first Wick film was a surprise hit. It was a simple, straight-forward tale of vengeance told in a simple, straight-forward manner. Where it stood out was its devotion to human stunt work, on exploiting long camera shots that

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered.