Speak to me, O Muse, of this resourceful man
who strides so boldly upon the golden shrine of Potomac,
Between Ionic plywood columns, to the kleig light altar.
Fair Obamacles, favored of the gods, ascends to Olympus
Amidst lusty tributes and the strumming lyres of Media;
Their mounted skyboxes echo with the singing of his name
While Olbermos and Mattheus in their greasy togas wrassle
For first honor of basking in their hero’s reflected glory.
Who is this man, so bronzed in countenance,
So skilled of TelePrompter, clean and articulate
whose ears like a stately urn’s protrude?
So now, daughter of Zeus, tell us his story.
And just the Cliff Notes if you don’t mind,
We don’t have all day.
Wow, it’s been over a year. What a way to get back to this blog because… Are the films of the MCU getting worse? It’s a serious question because the latest that I’ve seen, Thor: Love and Thunder and Ant-Man and the Wasp: Quantumania , are strong arguments that the answer is “yes.” Summary: Ant-Man & Ant-Family get sucked into the quantum realm, where skullduggery is afoot. A load of crap ensues. I’m an Ant-Man fan. I loved the first film despite its flaws. It would have been wonderful to see what Edgar Wright may have wrought. It was clear, though, that replacement director Peyton Reed kept some of Wright’s ideas alive. The result was one of the MCU’s most intimate films, a straight-forward tale of a Scott Lang (Paul Rudd) desperate to remain in his daughter’s life while being “gifted” the life of a superhero. Ant-Man and the Wasp sorta stayed that course, but naturally, because this is the modern MCU, we had to have a female superhero take over, the titular Wasp (Hope van Dyne,
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