Skip to main content

Catching up...

Before I forget, again, belated:

Happy Hanukkah!

Merry Christmas!

Happy New Year!

I haven't seen many films lately, going to see only one at the theatre. Someone else paid, so I ended up seeing The Tale of Despereaux, drawn to the flame by my love of animation.

Animation has different styles, just as different directors bring a distinct style to their works. This is oft-times strange in animation because they are such collaborative processes. Nonetheless, everyone can recognize a Disney cartoon from a Warner's. In the modern world, Pixar films have a familiar sheen to them, distinct from what Dreamworks is cranking out, etc.

Despereaux is unique and, to my eyes, beautiful. It feels lush, rich, and alive. I can't say enough good things about the artistry and craft that went into the look, feel, and animation of this film.

Would that I could say the same about the rest.

The characters are flat, the story never seems to begin, and when it does it goes nowhere. Slowly. It's as though the writers, having started to introduce a character, run out of things to do and rather than work through the block opted instead to introduce a new character. Yeah, that'll fool 'em! The film ends up feeling like Start, start, start, start, start, End.

How can you mess up a story about a mouse that refuses to be a mouse? How can you go wrong with a story involving a mouse who won't scurry or cower? If you watch the trailer for this film you see all that could have gone so very right. Unfortunately, none of that setup is really used for anything. Despereaux, the titular mouse, is just presented as being. No growth, no development, he just is. The one character who might go through a story arc, the rat Roscuro who actually launches and ends the film, isn't allowed to.

Kids might find this entertaining, but I doubt even that because kids are very good at spotting a con. I was in a theatre surrounded by kids, lots of kids, of all shapes and sizes, and none of them seemed engaged by the film. No claps, no cheers, no squeals of joy. The pretty pictures kept them busy, but that's about it. Their parents, meanwhile, were desperately looking toward the exits.

Sad, really, because those pictures are beautiful to look at. I just wish everything else had been up to par.

Comments

Popular posts from this blog

John Wick: Chapter 4

No sense in playing coy, this is a great film. I’ve seen it twice and while I don’t quite love it in the way I love the first, original John Wick , it’s my #2. It’s a little overlong, has some wasted space and time, has one absolutely pointless and useless character, and generally ignores the realities of firefights, falling, getting shot, hit, etc. All that notwithstanding, it’s a great action flick, has a genuine emotional core, and is well worth your time if you’re into that sort of thing. Like I am. Summary: John Wick (Keanu Reeves), last seen saying he was fed up with the High Table, goes to war to obtain his freedom. Some of the most incredible action scenes ever filmed ensue, culminating in a very satisfactory finale and a devastating post-credit scene. The first Wick film was a surprise hit. It was a simple, straight-forward tale of vengeance told in a simple, straight-forward manner. Where it stood out was its devotion to human stunt work, on exploiting long camera shots that ...

DVD: The Descent

While waiting for the fourth disk of season 4 of House to arrive, I watched The Descent . This movie has been out on DVD for a while, so why bring it up now? Because I think I might become a fan of its writer-director, Neil Marshall . His latest is Doomsday , recently released on DVD, and while it’s sort of a mess, it’s a mess in that oh-fun-what-the-heck-let’s-shoot-a-Bentley-through-a-bus sort of way. The Descent is a different sort of animal. Prepare for spoilers. Since this film has been out for a while, I’m going to feel free to reveal. The setup is simple: Six friends go spelunking, complications ensue. Basic complications involve Sarah and Juno. Sarah is an emotional wreck following the rather horrible and tragic deaths of her husband and daughter (this trip is seen as therapy , oh my). Juno is a reckless thrill-seeker who leads an unknowing Sarah and friends into a cave no one has – publicly, at least – ever explored. All goes horribly...

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...