Skip to main content

Blu-Ray Audio

Recently, my Sony PS3 started acting up. This was annoying because my PS3 is my Blu-Ray disk (BD) player, and when it "died" it meant I was cut off from my video disk library.

Sadness ensued.

While I was trying to figure out what was going on with my PS3, I bought a small Sony dedicated BD player. It was well reviewed, set up easily, and plugged right into my existing setup. My setup, by the way, is all-Sony…receiver, HDTV, etc. Call me paranoid, but it seemed the most direct way to ensure compatibility.

So, all seemed well, but I was bothered by the audio. More precisely, there was an apparent drop in audio quality. Everyone focuses on the image quality of BD's, but of equal import is that audio quality. A BD film comes with uncompressed audio (e.g., DTS-HD) and when played properly it's awesome. Watch the launch in Apollo 13 and, if the audio is set right, you'll immediately hear what I mean.

The issue came down to how my new player fed audio to my receiver. The only option was LPCM, Linear Pulse-Code Modulation. Near as I understand it, this meant that the audio was being decoded in the player and fed to the receiver, which then piped the audio to the speakers. In contrast, the PS3 had an option for sending the audio signal via bitstream, a raw data feed that the receiver then recognized, decoded, and played.

The difference in audio quality was immediately evident. When my PS3 was repaired and back in place, everything sounded better. It makes me wonder how many people buy mid-range or expensive audio/visual rigs and are actually listening to sub-par sound.

The solution seems simple enough: A BD player should always have the option of bitstream for audio. Don't force the consumer to use the player's audio decoding software. This is especially so if someone has opted to purchase a high-end audio receiver. They've spent a lot of money to ensure they had great sound. Don't cut it off at the knees.

Comments

Popular posts from this blog

Have I mentioned I saw Monsters vs. Aliens?

It’s possible that Pixar is becoming a blight on the world of animation. Yes, they do some really great work ( The Incredibles , Ratatouille ), but they’ve also done some clunkers ( Cars , Wall-E ). Their greatest sin, though, is that they apparently radiate a variation of the Steve Jobs Reality Distortion Field, so that any other animated film – especially if done with CG – is automatically judged inferior. There is some justification to this, but you don’t see every live action film being compared to, say, the films of Ingmar Bergman (well, except by brooding people wearing dark glasses sitting in dim coffee shops smoking clove cigarettes discussing cinema, damn you ). In the traditional film world, it’s accepted that different artists turn out different products. In the animated world, everyone is supposed to match or surpass Pixar, or so it seems. Needless to say, that’s just a crock. Monsters vs Aliens is to your typical Pixar production as Spielberg is to Scorsese. And I h...

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...