Skip to main content

BD/DVD: Winter’s Bone

I don’t believe this film ever played in my area, and the first time I heard of it was when it popped up with several Oscar nominations, including Best Picture and Best Actress (Jennifer Lawrence). So into my Netflix queue it went, and in Blu-Ray format it arrived, and...

Wow. Winter’s Bone is a tense story about a teenage girl pushed into danger by the acts of her father. Living in the backwoods of Missouri can be challenging enough, but for Ree (Lawrence) things go from hard to bad to worse. The eldest of three children, it’s fallen to her to be both mother and father. Mother because her actual mother has lost her mind, and father because he has simply disappeared.

This last is the drive behind the film’s plot. Ree’s dad was one of the best crystal meth cooks in the area. He was out of bail. To secure his bail, he put his property up as collateral. Now he’s vanished and if he doesn’t show for court he’ll forfeit bail. Which means Ree will lose the house, the property, and have nowhere to take care of mother and brother and sister.

Ree’s desperation to avoid this drives her to ask questions that maybe she shouldn’t, to go places where she’s not wanted, to risk her own life in order to save the lives of her siblings.

Winter’s Bone doesn’t revel in false leads or misleading tricks. Yet at the same time it’s unpredictable and engrossing. If you consider yourself a law-abiding citizen, Winter’s Bone is a small window into a world you might never understand. It is essentially a modern version of bootleggers versus revenuers, in this case meth producers versus the sheriff. Notions of good and bad don’t exist in this world. And while lip service is paid to blood, to family, it’s clear that the business takes priority over all. Antipathy underscores everything.

The film is rife with excellent and moving performances. Jennifer Lawrence should have taken the statuette that Natalie Portman didn’t deserve (because let’s face it, Black Swan was terrible and Portman’s performance was dreadful). Lawrence’s performance as Ree is a revelation and makes me excited to see how she’ll do as Katniss Everdeen in The Hunger Games. (In many ways, Winter’s Bone feels like a training camp for parts of The Hunger Games; it feels like District 12.)

As much as I enjoyed her performance, though, I was taken away by John Hawkes as Teardrop, her uncle. His personal journey is as arduous as hers, maybe more so because he has no illusions as to where it may lead. He reeks of a fatalistic air, accepting his fate without surrendering to it, and this lends him such power and presence. Very well done, indeed.

At any time the film could have gone in any direction, and any of them would have felt right. As such, Winter’s Bone mimics life to perfection. Great film, well worth the effort to see.

Comments

Popular posts from this blog

Have I mentioned I saw Monsters vs. Aliens?

It’s possible that Pixar is becoming a blight on the world of animation. Yes, they do some really great work ( The Incredibles , Ratatouille ), but they’ve also done some clunkers ( Cars , Wall-E ). Their greatest sin, though, is that they apparently radiate a variation of the Steve Jobs Reality Distortion Field, so that any other animated film – especially if done with CG – is automatically judged inferior. There is some justification to this, but you don’t see every live action film being compared to, say, the films of Ingmar Bergman (well, except by brooding people wearing dark glasses sitting in dim coffee shops smoking clove cigarettes discussing cinema, damn you ). In the traditional film world, it’s accepted that different artists turn out different products. In the animated world, everyone is supposed to match or surpass Pixar, or so it seems. Needless to say, that’s just a crock. Monsters vs Aliens is to your typical Pixar production as Spielberg is to Scorsese. And I h...

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...