Until the debacle known as Munich , I would have declared Steven Spielberg a national treasure. I know that many people dislike his sentimental endings, and I agree, for the most part. Yet his cinematic skills can't be denied. Do you feel blatantly manipulated by his films? Well, sure, and that's a measure of their success. Earlier in the same year he vomited out Munich , Spielberg released War of the Worlds , and I've been thinking about it recently. No particular reason, other than that I miss the master at his best, and WotW is often Spielberg at his very, very best. One of the first things Spielberg does very well is choose his approach to the film at hand. With E.T. , for instance, he commanded that the camera would never be more than Elliot's eye-level above the ground. Thus, we're always looking up at adults and the things around Elliot and E.T. It's a subtle thing, to be sure, but once you realize it you revel in the genius. With WotW he opted for ...
Film, politics, motorcycles, and whisk(e)y.