Skip to main content

Why is this question being asked?

Why is this a question?
Is the country ready for ‘United 93?’
Did anyone ask if the country was ready for V for Vendetta, or American Dreamz? Of course not, and for two key reasons:

1) They can make whatever damn movie they want. If you don't want it to be made, then you don't make it. You don't get to decide that someone else can't make it either. It's well established that if an artist wants to create something, more power to 'em. I thought this question was settled when the NEA defended funding "Piss Christ".

2) Because those movies, and others, slam the current administration and its policies, to one degree or another, and thus are perfectly acceptable. What is not acceptable, apparently, is portraying ordinary Americans as extraordinary people.

I don't know if I'm ready for United 93. I want to see it, I'll buy it when it comes out on DVD, I know it's a story that desperately needs to be told and re-told, but I don't know if I have the fortitude for the theatre experience. But bless the producers and director for making this film.

Let me try and make this clear and please don't misunderstand. The firemen and policemen who died in the World Trade Center, the men and women killed in the Pentagon, were heroes for being firemen and policemen and for serving their country, not necessarily for anything special they did on 9/11/2001. The fact they were willing to do a job that most people would not, to risk (at best) their reputation and (at worst) their lives made them heroes.

Indeed, members of those departments, and PD's and FD's around the nation, members of our Armed Forces, are our heroes. To focus on the police, the best of them prove the truth of Sir Robert Peel's principles of law enforcement, most especially:
Police, at all times, should maintain a relationship with the public that gives reality to the historic tradition that the police are the public and the public are the police; the police being only members of the public who are paid to give full-time attention to duties which are incumbent on every citizen in the interests of community welfare and existence.
The key phrase is "the police are the public and the public are the police". How is this relevant to United 93? Because those passengers gave rise to Peel's observation that the police perform the duties "which are incumbent on every citizen".

They knew what was happening, they knew how things would end. They opted not to be passive, they took action and it cost them their lives. We will never know how many lives were saved but we should damnwell honor their sacrifice and remember what happened.

So yeah, hell yeah, United 93 had to be made, and we ought to be ready for it because we should never forget what happened that day. Not ever. And certainly we should never forget the sacrifices willingly made.

Comments

Post a Comment

Popular posts from this blog

Have I mentioned I saw Monsters vs. Aliens?

It’s possible that Pixar is becoming a blight on the world of animation. Yes, they do some really great work ( The Incredibles , Ratatouille ), but they’ve also done some clunkers ( Cars , Wall-E ). Their greatest sin, though, is that they apparently radiate a variation of the Steve Jobs Reality Distortion Field, so that any other animated film – especially if done with CG – is automatically judged inferior. There is some justification to this, but you don’t see every live action film being compared to, say, the films of Ingmar Bergman (well, except by brooding people wearing dark glasses sitting in dim coffee shops smoking clove cigarettes discussing cinema, damn you ). In the traditional film world, it’s accepted that different artists turn out different products. In the animated world, everyone is supposed to match or surpass Pixar, or so it seems. Needless to say, that’s just a crock. Monsters vs Aliens is to your typical Pixar production as Spielberg is to Scorsese. And I h...
2 comments
Read more

Rogan

The entire Joe Rogan controversy is an example of the kids being left in charge and the adults refusing to teach them any better. I’m not a regular consumer of podcasts. There are a couple I listen to from time to time, but nothing on a regular basis. While I’ve caught a few minutes of the Joe Rogan Experience on YouTube, I’ve never listened to his podcast. One of the primary reasons for that is that you have to subscribe to Spotify to do so, and I prefer Qobuz, Tidal, or even Amazon Music. Rogan is behind Spotify’s paywall and that’s that. But the nature of the fight is about more than who does or does not listen to Rogan. This fight goes to the very nature of the First Amendment and the fundamental concept of the United States. And yes, I understand that cuts both ways. What’s his name and Joni Mitchell are free to yank their creations from Spotify, no ifs, ands, or buts. I’m not denying their right, I’m questioning their reasons. Rogan talks to people. He does so largely unfiltered....
Post a Comment
Read more

Dune Part 2 (2024)

I have come not to praise Dune but to bury it. I am in a distinct minority. So be it. To explain why, there will be some minor spoilers ahead; sorry. The short version is #NotMyDune. Summary: Picking up where Dune Part 1 left off, we find the young Paul Atreides (Timothée Chalamet) hanging out with the Fremen. Plots to overthrow rival houses and empires ensue. Go here to see what I thought about Dune Part 1 (2021) . Overall, I found it to be technically brilliant, but lacking a human heart, an exercise in frenetic slow motion. D2 is more of the same, though with far more action. Acting-wise, everyone is doing a fine, more than adequate job. Absolutely no one or nothing stands out. The way the characters are written (adapted, actually), their back and forths and interactions, are all weak and unengaging. I generally hate when they speak. I've read the novel a ridiculous number of times, and these films are prompting me to read it again. I understand that trying to translate the n...
1 comment
Read more